1. Tell us a little about your book.
Contrary Motion is about a divorced harpist living in Chicago getting ready for a principal harp audition with the St. Louis Symphony. In the months leading up to the audition, he runs a gauntlet of emotionally charged situations: his father dies; his ex-wife, whom he’s still in love with, gets engaged; his current girlfriend grows distant; his daughter starts acting out. As a pick-me-up, he starts moonlighting by performing for dying people at a hospice. It’s a lot of fun! Booklist went so far as to call it “rollicking.”
2. You have a knack for writing very funny prose. Most writers would say that it's not an easy feat. Who are some of your influences? And, just curious, have you ever done stand-up?
That’s very nice of you to say! I love Stanley Elkin, Colson Whitehead, Aimee Bender, Jennifer Egan, Donald Barthelme, David Foster Wallace, George Saunders, Mary Gaitskill, Flannery O’Connor, etc.
I actually have five pretty polished minutes of stand-up ready to go. I’m waiting until I master my obliviate charm, so if my set goes horribly, I can erase it from the memories of all present, including myself. I think I’m getting close because when I use the charm on my wife, she just puts two fingers to her temples and looks down until I leave the room.