1. Tell us a little about your new novel.
First off, Christine, thank you so much for interviewing me! As a debut author at a new press, it’s not always easy to capture the interest of the media. I appreciate your generosity in giving me this opportunity.
Pax Americana is my first novel, the beginning of a trilogy I’ve been working on for more than a decade. I began the project during the Bush administration as a response to the greed, militarism, and religious extremism I saw growing in America in the wake of 9/11. Those impulses have always been with us, I think, in America and, more broadly, humanity. But the first decade of the 21st century saw them reach what seemed to be an apex—the Great Recession born of the housing crash, the wars in Afghanistan and Iraq, the idea of a clash of civilizations between Islam and the West—sadly, that hasn’t been the truth of it.
Turns out after what may well come to seem the idyllic Obama administration, we’ve doubled down on all the things that made his predecessor, Dubya, such a horrible president. The know-nothing-ism, the Christian bigotry, the militarism, the ludicrous tax cuts for the wealthy, the overspending. With Trump, it seems we’re going to get every bit of Dubya’s disastrous policies without the benefit of his “compassionate conservatism” or the experienced advisors he brought to Washington care of his father’s administration. And it’s all going to be delivered to us by a uniquely boorish neo-fascist jackass, one Donald J. Trump. Maybe the only positive I can take from the current environment is that it makes Pax Americana relevant in a way it may not have been had Clinton won.
A literary thriller set in 2034, Pax Americana is a satirical spy novel about an America that’s run wild with Christianity and extreme capitalism; the blending of which (do unto others, turn the other cheek, the bit about the rich man and the camel) would seem impossible in the abstract. Somehow we manage. Pax Americana’s protagonist is a young government agent named Tuck Squires. Tuck’s wealthy and handsome, tall and athletic—everything you’d want if you were creating a secret agent in a lab—but he’s also an evangelical Christian and a bit of a fuck-up. Paired with a much older former super-spy (and semi-former drunk) named Ken Clarion, Tuck takes off to investigate the disappearance of Diana Scorsi, a scientist who’s developed a breakthrough spirituality program, a sort of non-denominational god software. The technology is called Symmetra and it represents an advance so disruptive it has the potential to bring about world peace on one hand, apocalypse on the other.
2. How did this novel begin, i.e. was there a model for Tuck Squires, for example?
Pax Americana began more than a decade ago with a short story about an inventor of “God” software and an American real estate developer trying to rebuild Jerusalem in the wake of a catastrophic terrorist attack. I won’t get too far into it, because I see a lot of the material as working into the other two books in the trilogy; but, I can say without reservation, it began in a very different place than it ended. I guess anything you work on that long is going to change a lot during construction. As to Tuck, I suppose he’s a fantasy of sorts. From the outside at least, he’s the guy I would have liked to be. But there’s plenty of self-mockery built into the fantasy. While he may seem perfect, Tuck is a victim of his own privilege, his head, like those of many Americans, filled with stereotypes about poor people, women, racial minorities, and non-Christians. He’s a bumbler, too. I mean, Tuck may look like one of those brooding Ralph Lauren models and he may think he’s James Bond; but deep down he’s more like a cross between Mitt Romney and Daffy Duck. For me, perhaps the most interesting thing about Tuck is how unaware of his own flaws he is; not to mention those of America, Christianity, and Capitalism. But that’s all going to change. This trilogy represents a kooky sort of intellectual and spiritual journey for Tuck, his very own Road to Damascus.